Conventional 3-way switching
I’m willing to be that 99.9999999% of Telecasters are equipped with the conventional 3-way switch that offers up the bridge pickup, the neck and bridge in parallel, and then finally the neck pickup on its own. Time has shown this to be perfectly satisfactory as those 3 different tones have been and continue to be “go to” tones for musicians world-wide. My interest in Telecasters comes from a range of guitarists:
He used one on many tunes like Espresso Love, and even the grotesque Walk Of Life. His Tele tone was always fat and chunky. I don’t know which Tele he used on early tracks, but since late ’79 he used ones built by Schecter back when they really built custom guitars.
He’s famous for his gorgeous rosewood Telecaster, which he used to great effect on “I Want You (She’s So Heavy)”. You can hear him switching between neck and bridge as he plays over verse and chorus, and then the big riff at the end as he grinds through on the bridge pickup.
One of my favourite solos ever is the two-player epic that is Hotel California. A fantastic battle between Don Felder on a Les Paul and Joe Walsh on a Tele. You get to hear the difference between the two guitars…the thick bite of the Les Paul, and the sweet glassy edge of the Tele (probably set to both pickups in parallel…the normal middle position).
Over the years I’d always heard that one could get different tones out of a Tele by wiring the middle position so the pickups were in series, rather than in parallel. And that this would give you a “big sound”. That didn’t make much sense at the time, but as I hadn’t ever heard this configuration, I had no reason to doubt it. But I had to try it myself one day.
Recently I spotted a pre-wired kit from Emerson that went for about $65. They do such a lovely job of the wiring I seriously considered getting one. But that’s cheating, so I bought essentially the parts for it from Stewart McDonald so I could build it myself. Here’s the parts kit. They also sell the ludicrously expensive capacitor that Emerson includes.
My lovely wife bought me a set of “Vintage Noiseless” Telecaster pickups, made by Fender. That’s just how lovely she is. So this was a perfect time to install those too. I had originally installed a Schaller telecaster pickup in the bridge and a no-name neck pickup. They sounded OK, but in this modern world of computers-as-tape-recorders and compact-fluorescent bulbs, they were very, very noisy. Second only to the P90s in my Goldtop, but that’s another story. A third reason for doing this is that the cheap Japanese 3-way switch I’ve had in it for almost 15 years was failing quite quickly.
So, the wiring wasn’t hard. The only thing that slowed me down was I decided to use the fabric covered wire that came with the StewMac parts kit. I;d never used it before. You’re supposed to cut to length, and then push the fabric back to revel tinned wire. All cool so far, but then the fabric springs back making it a little hard to solder even if you get a good mechanical joint. I’m used to using Teflon covered wire that I strip before soldering. Anyway, it looks cool, so I won’t whine too much. Here’s some photos.
The only thing left to do was to plug it in and see what it sounds like. Here’s a quick recording of me noodling around in Em, and switching between each position. This is plugged straight into my AX84 single-ended tube amp, set to be somewhat crunchy, into my 2×12 cab with celestions. Recorded with an SM57 right into a Mac.
I begin on the bridge pickup. The switch to neck and bridge (parallel) is at 1:49, the switch to neck alone is at 2:43, then to neck and bridge (series) at 4:14.